Isaji Yugo Solo Exhibition
Purely Home-made Street Art
NADA New York 2025
May 7–11, 2025 | Booth #C110
![]() “pen”2025 plastic pen pen: 5 7/8 × 1 1/8 × 1 1/8 in [150 × 30 × 30 mm] acrylic case: 8 1/4 × 3 × 3 in [210 × 75 × 75 mm] © Isaji Yugo, courtesy KANA KAWANISHI GALLERY |
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![]() “pen” [installation view]© Isaji Yugo, courtesy KANA KAWANISHI GALLERY |
![]() “cutter”2024 box-cutter blade (stainless steel, welded) 11 3/8 × 4 3/4 × 5 1/2 in [290 × 120 × 140 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
![]() “bottle”2024 plastic bottle 10 × 3 1/8 × 3 1/8 in [255 × 80 × 80 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
![]() “bottle”plastic bottle 10 1/4 × 4 × 4 in [260 × 100 × 100 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
![]() “bottle”2011 plastic bottle 7 7/8 × 2 3/4 × 2 in [200 × 70 × 50 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
![]() “bottle”2011 plastic bottle 6 1/4 × 3 1/8 × 4 in [160 × 80 × 100 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
![]() “cup”2014 plastic cup 4 × 4 × 4 3/4 in [100 × 100 × 120 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
![]() “bottle”2024 plastic bottle 4 3/8× 2 × 2 in [110 × 50 × 50 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
KANA KAWANISHI GALLERY is pleased to present a solo exhibition by Isaji Yugo at NADA New York 2025.
Isaji Yugo (b. 1985, Gifu, Japan) is an artist who creates works based on daily necessities that vividly deviate from the conventional viewpoint by shifting and modifying the perspective of everyday objects. Ballpoint pens, staples, cutter blades, plastic bottles—any mundane items serve as a source of inspiration for Isaji. At times, he welds the blades one by one, meticulously cuts the empty plastic bottles, soldered the thin needles of a staple one at a time, or heats and reshapes plastic pens and bottles, transforming these daily necessities into joyful works of art.
Isaji says that when he visited the Munster Sculpture Project, he “wandered around the city and saw everything as sculpture,” and he calls this phenomenon “sculpture intoxication,” which is one of the starting points for his work. By bringing this perspective into his daily life, he has created sculptures that easily deviate from the known, using all kinds of ready-made materials and structures, such as cutter blades, plastic bottles, ballpoint pens, and other everyday objects.
If we define street art as an intervention in the public sphere accompanied by physicality, then Isaji’s works, created from his experiences in Munster and continuing to shake up the everyday, are truly “pure home-based street art.”
![]() “bowl”2016 ceramic, kintsugi (Japanese lacquer, gold powder) 2 × 5 1/8 × 5 in [50 × 130 × 120 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY | ![]() “cup”2014 plastic cup 4 × 4 × 4 3/4 in [100 × 100 × 120 mm] © Isaji Yugo courtesy KANA KAWANISHI GALLERY |
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![]() “pen” [installation view]© Isaji Yugo courtesy KANA KAWANISHI GALLERY |
Project footage
2020 | ©︎ Isaji Yugo, courtesy KANA KAWANISHI GALLERY
Artist Profile
Isaji Yugo was born in 1985 in Gifu, Japan. He graduated from the Department of Sculpture, Tama Art University in 2008, and studied in Sweden as an overseas trainee of the Pola Art Foundation in 2019.
Major solo exhibitions include “Purely Home-Made Street Art” (2024, Kana Kawanishi Gallery, Tokyo, Japan), “Second Hand World” (2020, Art Center Ongoing, Tokyo, Japan), “rehabilitation” (2020, Gallery Bageriet, Gothenburg), and “The behind of the world by daily goods” (2017, Kofu Art Project, Yamanashi, Japan). Major group exhibitions include “Come on yesterday” (2020, Suisei Club, Kanazawa, Japan), “Tanagokoro” (2019, FLESH, Tokyo, Japan), and “New works” (2017, The Drawing Room Gallery, Makati). Awards received include selection for “Tokyo Wonder Wall 2010” (2010) and a grant from the Aichi Art Program, “Arts Challenge 2015” (2014).
Isaji exhibited his works in many Asian countries, including the Philippines, Taiwan, and Malaysia, as well as in Sweden as an overseas trainee of the Pola Art Foundation. This presentation at NADA NY 2025 will be the first occasion on which Isaji’s works will be introduced in the United States.
All Rights Reserevd by KANA KAWANISHI ART OFFICE LLC.